Tag Archives: encaustic

Show in San Francisco

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I’ll have brand-spankin-new paintings on view for the first part of May at Hang Art in San Francisco alongside Fain Hancock’s lovely work.  I’ll be at the opening tonight, so anyone in the area for First Thursday gallery openings, stop on in and say hello!

I’ll share a few of my favorite paintings here for those of you who can’t go to the gallery to see them.

woodsmoke_and_sunshine_small_kairos“Woodsmoke and Sunshine”, Encaustic mixed media, 30 x 60 in.

tule_fog_3_small_kairos“Tule Fog #3: I-5″, Encaustic mixed media, 24 x 48 in.

TulleFog-I-5_small_kairos“Tule Fog: I-5″,  Encaustic mixed media, 17 x 34 in.

Hope you can stop by and see them!

Painting for show in May

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Working hard on paintings for an upcoming 2-person show in May at Hang Art in San Francisco.  This series of paintings continues to move forward, and continues to inspire me with new veins of ideas and symbols.  The paintings always refer back to the experience of being outside, in nature, in the open air, in all seasons and weather.

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I’ll post more information about the show later… so stay tuned.

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A Contribution

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At the close of 2012, I find myself grateful for my and my family’s health and all of the goodness that has come my way this year.  It has been a year of big shifts, subtle changes in perspective, and a deepening of my art practice.  I am so grateful for generous friends, supportive family, and the opportunity to share what I do and learn from others through my relationships, the galleries that represent my work, and through online communities.

I want to say thank you to every single one of you who take the time to come here and read my occasional posts and updates.

I think it’s a great time to share this link with you, part of my online community… it’s a contribution to the diverse, enthusiastic, occasionally snarky, and certainly generous online painting community that I am lucky to find myself a part of.  You’ll also find the link in my sidebar.  It will take you to the packing and shipping website that I developed in 2011 with Larraine Seiden, which until now was only available through the IEA website.  It was written to accompany a presentation we gave at the Portland IEA retreat about packing and shipping encaustic work.

Disclaimer:  It’s not a definitive work- I’m sure that many of you will find new tricks and tips, and many of you will find faults or disagree with some of the methods.  But it is a good starting point, and offers a lot of basic information about shipping encaustic work along with some methods for building custom boxes, cuffs, and insulated shipping crates.  I hope that you find something new there that takes away a bit of the anxiety we all feel when hauling our precious work down to FedEx or UPS.

Please feel free to leave additional information and experience in the comments sections of the various pages…it was our hope that our readers would use and contribute to the website, expanding it’s scope by means of our collective experience!  However, I won’t have a lot of time to respond to individual comments or questions from that site right now.

I hope all of you out there are having an excellent holiday season… here’s looking forward to 2013!

Upcoming Encaustic Show…

I am so pleased to be included in this upcoming group show.  Thomas Morphis has done an excellent job of curating this;  each artist is distinct, and the show promises to have great variety and texture!  I’m looking forward to seeing it myself Saturday night at the opening.

Mary Black

Robin Denevan

Eileen P. Goldenberg

Lisa Kairos

Opening Reception:  7-9 pm, Saturday, January 15

The gallery is open Saturday, Sunday, Tuesday and Thursday, 1-5 pm, and the show runs until Feb. 12.

Studio Shots

It’s been such a gray and rainy spring! But that hasn’t stopped the work in the studio… in fact, it’s been a wonderful year for the plants this year. Above, some mustard gone to seed.

The hummingbirds have been busy disguising their nests with this moss that grows on the old plum trees behind my studio.

This lovely thing fell to the ground during the last wind storm. I’m looking forward to drawing it.

This pile of embroidery thread is waiting to be woven into some paintings… paintings that are only in my head at the moment. I’m looking forward to the hours of summer, and seeing if some of my new ideas work.

In The Studio

I thought I’d share some current works in progress from my studio. This piece above will be put together in the end as one piece. I’ve been inspired by other artists who work large on multiple panels. Here, I had these small 10×10 inch panels lying around, and I thought I’d use them as a little test run… and that’s my medium setting up in the muffin tins. Working large uses so. much. medium!

This is a pretty crappy photo- taken late in the day with my lights on. But you get the idea. I’m really loving the metallic paints from R&F. So lovely when they are scraped down- this design is done in the german silver color, and it has a lot of variation, like a patina.

On to the next layers!

Show in Santa Cruz

February 5 – 28, 2010

Opening reception:  February 5, 5:30 – 9:00 p.m.

Felix Kulpa Gallery, 107 Elm Street, Santa Cruz, CA

Gallery hours: Thurs. – Sun. 12-5, or by appointment (tel:  408.373.2854)

I’ll be hanging this show this weekend, and I’m really looking forward to seeing my paintings alongside Norman Locks’ photographs. If you are in the area, I’d love to see you at the opening!

Whatever Works…

The other day I was working in my studio, and this was the scene… and I thought, “How strange this looks!” So I ran to get my camera to share it with you all. I’m so fascinated by other artist’s processes, and the unusual ways that we problem solve when we are trying to get an idea out of our heads and onto the image. Encaustic is such a “new” medium in it’s current usage, and as I meet more and more artists using wax in their work, I am struck with how we are inventing it as we go.

I also thought this was funny because I’m often told that my work is delicate or ethereal, and yet the process is so… scrappy. I knew here that I wanted a large, white circle on the painting, but I didn’t know what to use to guide the circle. none of my usual objects were large enough. And then the garbage lid called to me from across the studio…  “Me! Me! Use me!”

So I did.

Upcoming Show…

This should be a great show of encaustic work in Santa Rosa. I can’t wait to see it myself… and I’m so pleased to be included in this show! The show was curated by Thomas Morphis, and includes an impressive list of artists:

Mary Black, Howard Hersh, Julie Nelson, Tracey Adams, Eileen Goldenberg, Robin Denevan, Carrie Ann Plank, Emily Clawson, Mark Perlman, Eleanor Wood.

Oh, and me. I’ll have three of my larger “Winter” paintings hanging.

(I couldn’t find a link for Eleanor Wood for this list- if anyone knows, please send it to me…)

Hunting the Unseen

A few days ago we had a low, low tide- the kind of low tide that only comes once in a blue moon (literally, this time…), and so we all bundled up and headed for Maverick’s beach by the harbor. The sky was dark, the clouds low and threatening. It was windy. But I was so glad we went out.

There is so much beauty in these gray and blustery days, and this particular day, we had the pleasure of seeing what is usually hidden by the sea. We walked on rocks usually submerged. We could see the kelp anchored to the rocks, starfish clinging, and crabs backed into the deep cracks, staring out at us, as if we had crashed their party, and they were utterly annoyed. The beach becomes unfamiliar, foreign, and all the more beautiful for it.

It occurred to me that this is often the work of the artist- hunting the unseen; making it seen. Finding unnoticed beauty, and bringing it to the light. And sometimes a low tide is just what we need…

Here’s to 2010, a new year, and a new decade. May it bring you all light, love, and prosperity!